![]() ![]() His sound is steely cold, but he can come down to earth in his tougher phrases. I find Garbarek intriguing and bit puzzling, even after years of exposure. He’s very supportive of Jan Garbarek, whose icy sax tones, in turn, sound like a spiritual extension of Jarrett. Jarrett sounds completely at home with this group. The only improv in “Spiral Dance” is Palle Danielsson’s bass solo, but the track is more about groove than soloing. ![]() “The Windup” is an ebullient hoedown with partly unaccompanied solos, and the taut “Spiral Dance” features what might be my favorite Jarrett melody ever. “Solstice” is geared to the players’ pensive romanticism and develops a heavenly vamp at the end. The six compositions feature Jarrett’s knack for gospelized grooves (“Long as You Know You’re Living Yours”) along with a new lyrical realm (“Blossom”, “Belonging”). This is one of the most accessible and just plain fun albums in the KJ catalog. Not that the history books or politicians make much mention of it. Considering all the compositions Jarrett wrote for both groups, it cements him as one of the most creative jazz artists of the 1970s, all without playing a lick of fusion. Their first album Belonging was recorded in the heyday of the American quartet, but they only became a working unit after the Americans had dissembled. Common to both groups was Jarrett’s brilliant writing and a few free and ethnic tangents. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.Also known as the Scandinavian quartet, Jarrett’s alliance with Jan Garbarek (tenor and soprano sax), Palle Danielsson (bass), and Jon Christensen (drums) stood in smooth contrast to the American quartet’s restlessness. If you believe you should have access to that content, please contact your librarian.įor librarians and administrators, your personal account also provides access to institutional account management. The institutional subscription may not cover the content that you are trying to access. Oxford Academic is home to a wide variety of products. View the institutional accounts that are providing access.View your signed in personal account and access account management features.Some societies use Oxford Academic personal accounts to provide access to their members.Ĭlick the account icon in the top right to: See below.Ī personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Some societies use Oxford Academic personal accounts to provide access to their members. If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic. ![]() When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in. ![]()
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